Essential to any beach trip this summer
is Mouna Lellouche’s Obsidian Nights,
an exploration of the self and modernity,
and best consumed in its original Berber,
of course. She’s been gone a year now.
There’s no book that shouts ‘READ ME!’
louder than the waves which crash
upon the rocks than John Phillipston’s
fine new exploration of equine prostitution
in early modern theatre, ‘Tis Pity
She’s a Horse’. I woke one morning
and she’d just cleared out. And, finally,
any time spent relaxing underneath that –
no note, nothing – Mediterranean sun
would be incomplete without the latest –
she’d only taken the little suitcase –
Oriana Malmoud, whose new book,
The Insubstantiality of Things, is a sustained critique
of consumer culture – pizza again tonight –
which, she argues, can only be combated
by a new set of moral imperatives.
Brian Bilston 